It's probably horrible to admit this, but I'm looking for a new Elliott Smith. It is not possible for me to express how deeply I loved his music without making people laugh at me for being melodramatic. So I’ve repressed my sadness over his passing, my skepticism at the “suicide” ruling and tried to move on. Part of that, I realize, is finding someone new. No one will ever be Elliott, but I am young and I can’t give up yet. So I’ve been searching, and here’s what I’ve found:
Kevin Devine MAKE THE CLOCKS MOVE
This came out on Triple Crown Records in October 2003. I got this record from my friend much later, in March of this year. The song "Ballgame" nails that Elliott self-loathing guitar-playing sad bastard thing. Makes me want to save Kevin...but then I get resentful, because he's new and hasn’t really earned it. Sure he's suffered, but he's too, well, ALIVE for one thing. I feel weirdly disloyal to Elliott’s memory. Besides, lyrically the rest of the album doesn’t make me want to console him. It makes me want to punch a wall for being suckered in by “Ballgame.” Maybe it's too soon?
Blue Eyed Son WEST OF LINCOLN
Release June 1, 2004 Eenie Meenie Records, which immediately makes me think of how Elliott started on Kill Rock Stars and how much I loved his first record, the self-titled one, which was sent to the booking agency I worked for in Chicago. It was sent to my boss to be considered for a package tour, but I did Elliott no favors in that respect. Instead, I listened to it so much at work that eventually everyone was sick of it, so I had to take it home with me where I could sit in the dark and drink and cry to it all I wanted. Oh, yeah, Blue Eyed Son...The song "Tide” has the vocals and a little piano, which reminds me of the track “Clementine” from Elliott. Hmmmmm, the more I listen, it just seems deliberately Elliott. I could be wrong, but seriously boys, let the body cool before you cop his vibe.
Rogue Wave OUT OF THE SHADOW
This doesn't even street until July 13, 2004. It's a Sub Pop record, and definitely the leading contender. It's good start to finish, though track 6 wouldn’t play in my CD player, leading me to discover a small divot on the surface of the disk. "Be Kind & Remind" has the wistful, pleading lyrical style...and the guitar! It's Simon & Garfunkel channeled through Elliott Smith and THEN Josh Rogue adds his touch. "Seasick On Land" also has that guitar…that chord progression thing Elliott did, that made it seem like the guitar was an extension of his sad, sad heart.
I have to say that I didn’t expect to replace him completely, but Rogue Wave does seem to have a lot of what I’ve been seeking. It’s Elliott enough, but it’s Josh too. Josh can be sad, but he doesn’t hate himself. This is a good thing, because after losing Elliott to his own depression and the world that stemmed from it, I have a slight fear of abandonment. Also, this is not post-mortem Elliott rip-off, because it was originally released in 2002 on a smaller label…while Elliott was alive and shooting heroin in Silverlake.
Yep, Rogue Wave is the new Elliott Smith. Unless the band sucks live or Josh is too pretty. Will keep you posted.
Kevin Devine MAKE THE CLOCKS MOVE
This came out on Triple Crown Records in October 2003. I got this record from my friend much later, in March of this year. The song "Ballgame" nails that Elliott self-loathing guitar-playing sad bastard thing. Makes me want to save Kevin...but then I get resentful, because he's new and hasn’t really earned it. Sure he's suffered, but he's too, well, ALIVE for one thing. I feel weirdly disloyal to Elliott’s memory. Besides, lyrically the rest of the album doesn’t make me want to console him. It makes me want to punch a wall for being suckered in by “Ballgame.” Maybe it's too soon?
Blue Eyed Son WEST OF LINCOLN
Release June 1, 2004 Eenie Meenie Records, which immediately makes me think of how Elliott started on Kill Rock Stars and how much I loved his first record, the self-titled one, which was sent to the booking agency I worked for in Chicago. It was sent to my boss to be considered for a package tour, but I did Elliott no favors in that respect. Instead, I listened to it so much at work that eventually everyone was sick of it, so I had to take it home with me where I could sit in the dark and drink and cry to it all I wanted. Oh, yeah, Blue Eyed Son...The song "Tide” has the vocals and a little piano, which reminds me of the track “Clementine” from Elliott. Hmmmmm, the more I listen, it just seems deliberately Elliott. I could be wrong, but seriously boys, let the body cool before you cop his vibe.
Rogue Wave OUT OF THE SHADOW
This doesn't even street until July 13, 2004. It's a Sub Pop record, and definitely the leading contender. It's good start to finish, though track 6 wouldn’t play in my CD player, leading me to discover a small divot on the surface of the disk. "Be Kind & Remind" has the wistful, pleading lyrical style...and the guitar! It's Simon & Garfunkel channeled through Elliott Smith and THEN Josh Rogue adds his touch. "Seasick On Land" also has that guitar…that chord progression thing Elliott did, that made it seem like the guitar was an extension of his sad, sad heart.
I have to say that I didn’t expect to replace him completely, but Rogue Wave does seem to have a lot of what I’ve been seeking. It’s Elliott enough, but it’s Josh too. Josh can be sad, but he doesn’t hate himself. This is a good thing, because after losing Elliott to his own depression and the world that stemmed from it, I have a slight fear of abandonment. Also, this is not post-mortem Elliott rip-off, because it was originally released in 2002 on a smaller label…while Elliott was alive and shooting heroin in Silverlake.
Yep, Rogue Wave is the new Elliott Smith. Unless the band sucks live or Josh is too pretty. Will keep you posted.